X-Files is a
very good example, however, for looking at the juggle between
ongoing narrative and single-episode stories. One episode is a
monster of the week. Another is a mythology episode, furthering the
series backstory. This was our direct idea for the Agency re-boot –
propel some long-range backstory gradually, while solving a case or
monster of the week in the meantime. The problem is that you need a
backstory that can survive without tying it to the cast, which we
knew would change frequently. Episode 36 is a monster story that
introduces the setup, just like “Rose” was with Doctor Who in
2005. Exact same mechanics.
Episode 37 is the
mythology episode. The lengthy teaser was meant to lead into a scene
that is now missing. You see in the chase the back alley behind
Warren Towers, a brilliant bit of Retro Ugly architecture.
Fortunately nobody saw our fake guns.
Throughout the
episode you can see that we are still not quite in command of the
PD-150's, our f-stops are all over the place, and our color
temperatures are not deliberate enough. Sometimes monkeying with the
white balance produces some nice results. But its not replicable to
do that.
The filing cabinet
in the Agency was an old COM discard. I found it in a junk pile and
hauled it back up to Studio East.
The story begins to
fall apart right away. The lost tape meant that we had a big hole
that we could never quite work around, and trouble with casting meant
that we couldn't get the actor in to patch up that problem. We also
ran out of time and didn't get another scene, which went at the end
of the episode, where we're supposed to demonstrate that the
Parasites have infiltrated our society. Ok, perhaps a bit ambitious.
But we planned on getting some shots to make that happen. I remember
Kendal Stavros and I standing at the top of the stairs at Government
Center, shivering in pain, on the coldest day in the history of
reality, hoping that the next person who came through the doors would
be one of our craigslist extras. Alas, none of them showed. So we
went home with almost nothing.
I talk about the
Parasite backstory elsewhere, so let me just say this: we either
should have established it more or established it less and metered
more out over time. I think that was a mistake on my part. Because
of the technical difficulties with losing footage, losing cast
members, losing our director (Sam had serious commitments to school
projects, and justly had to focus on them), with me stepping in to
finish the shooting on the episode, we were never able to achieve
what the show needed to achieve. And I didn't want to scrap the
episode even though it would probably be better that way, because we
needed content. A show that produces no content is not a show, and
with butv10 just starting up at that point, we needed content more
than quality. We needed to prove to the world that we existed.
There are some
moments that I am very proud of in “Trust of the Fallen.” It was
a new Shadows out in the real world, going for a spin around
the block, and experiencing the necessary growing pains.
The long term
impact of the episode is that I decided that I needed to not be
onscreen, so the next episode obviously had to establish the
precedent for re-casting Jakob. I had the idea that Jakob could be a
different actor in each episode, but it didn't turn out that way.
The episode also cost us some mythology. By muddling it, we didn't
establish what we needed to in order to support a pillar in the story
structure. After a sour experience working on this episode of
Parasites, we all wanted to do something different. But the best
thing that happened is that our crew – Marcus, Darcy, Kendal,
Julie, and the rest – got a really great crash course in how things
can go wrong. And I think that we learned those lessons as an
organization, which is why the next episode was so good.
As a post-script,
“Trust of the Fallen” is not on the butv web site. I have no
idea why. It was on there at one time, and then disappeared,
which screwed up the episode numbers. “The Agency” is listed as
Episode 37, when it's actually 36. “Trust of the Fallen” fits in
between “The Agency” and “Salesman”.
- Justin K.
Rivers
No comments:
Post a Comment